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All co-producer / producer we are

initiative of equity finance is not new. To limit the cinema, we can easily find stories of independent filmmakers using their friends and their network to gather tens of thousands of dollars for filming their first movie. And not just today recognized filmmakers, digital has democratized the ability to finance a short or long. For better and for worse, obviously.

Some saw this as a business model for independent production and launched sites like touscoprod.com, an idea obviously transplanted in the U.S. where it has backfired. We will not expatiate on the fact that expand participation in financing a movie. From a creative standpoint it is certainly more comfortable to let the film units to people who fund that his technical team, we have a budget to pay at least part of the creative energies so the report is easier to manage . In theory. When

Groluc WeAreProducteurs.com Besson launches on the same theme can simply laugh at the name, but the guys always surprise us by its cynicism. Making an appeal to small investors when your name is Luc Besson's a bit like Liliane Bettancourt launched a public subscription to pay his taxes. Except in this case it could offer a guaranteed fixed interest on his dividends from L'Oreal, while Groluc simply hold out future profits if the movie works (which is always relative, just add a clause where deducted a lot of accounting fees, inflating the cost of promotion etc.).. If I spin the money to my little nephew or friend to help finance his film, I am under no illusions about the return on investment but I have the feeling to help someone who I would have thought seriously and motivated. If I subscribe to Soficas I make a relatively risky investment, but more diverse films. But if I spin the dough to Besson I just vote for some production choices superficial, like a viewer of the New Star.

When I see the beginning of the adventure capital I confirmed my vision of the futility of such a project. The public voted for a synopsis of what would happen, see a priori. Oddly (or not) it looks like what it is watered constantly, stories of police investigations more or less scientific with mysterious cases closed no action (cold boxes). From a marketing standpoint it's a big fantasy than focusing solely on doing what the public says it wants. A poor marketer will do a study with direct questions about the kind of movie that people want to see. A good marketer will cross the investigation of films that people went to see and their opinions about different trends in current socio-cultural. From this point of view ask a sample of 8500 coprod potential non-neutral question about the movie they would be financed completely dicey. We necessarily arrive at a film frame, a film which is more consensus on what people have already seen that this they would like.

However there is also little calculation of social networks. Assuming that 10 000 persons participate in the financing, it is faster then 1 100 000 million people affected live in the promotion of the film. This mechanism is drooling sthg anyone to sell, but the buzz is known as an outline, we have examples of success, and we do not know how to master it. That's the power of the Internet: the good big business of the past century think they can come up with their heavy hooves and use of Internet tools by signing a partnership or set of communities in the pocket lining up a marketing budget, but it does not work like that. A box that does not primarily something concrete on the internet before hoping to enjoy would not have understood. As I said last year's "Ask Not What Internet Can Do for you, first ask What You Can Do for the Internet. "

And here's cynicism Luc Besson always surprise us. Of course he is incapable of understanding the revolution of the Internet on society and business as a caste that has made gold balls in the Ancien Regime. That we can not blame him, we may all die because cons can not understand everything about the world around us until the last breath. In contrast WeAreProducteurs when he says that is there to reconcile with the Internet it is permissible to stone him. Because in his mind = Internet shortfall of illegal downloading, so if the Internet becomes a source of funding docile (it sure is harder to negotiate with OBC Peloche shares or other banks, eh?) Then it will not be sorry. Very nice design of the exchange, Groluc, but it's true that your home cinema is rather a caprice of selfish and greedy nerd than a form of openness to the world. With all the power he had, and always in French film production, he has no talent is emerging. Moreover it is blocked suggests that the public in general and Internet in particular, owes him something.

To relax you must really think I'm replaying the video of the recipe Mozinor Besson !

EuropaCrap Rulez!

PS I have never downloaded something vaguely co-produced by Groluc like this, by attacking pirates obscure it does not alienate its potential audience!

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The Social Network

I had a discussion a few years ago about why there were films like American Wall Street (1987) ( the result was presented This year at Cannes) and why the novel Bel-Ami de Maupassant had not been adapted by a French filmmaker. In the spirit of Michel Deville had made The Enraged Sheep (1974) highly successful in itself but, lacking the classic French films, very limited in scope. The film is unlikely ever to leave an unforgettable memory, which is normally typical of mediocre films. Mediocrity, so ambitious? For once Bel Ami offers a vision of political opportunism and collusion with journalism that present a formidable challenge.

The lack of ambition in the theater French is the default generic well protected our system, our cultural exception, where a handful of producers are biting the tail trying to fill the boxes. Behind this there is a default installation of right-thinking intellectuals "who dare criticize Pinochet less than 10 000 km from Santiago ( Desproges ). The political machine is Costa-Gavras, who held the store: make serious films or the only emotion is outrage. It's been cooing at Saint-Germain-des-Pres, but it does not piss off. Ditto, when Michael Moore tells them what they want to hear about the U.S. that they are powerful. But level of political fictions that have the ambition to speak with news that it has been miserable flops . This tends to maintain the idea that the French do not want to see fiction rooted in the real world political-economic.

That said, going back to Bel-Ami , the problem is that you can not have a hero in film negative showing recessed the corruption of its environment. If the villain played by Michael Douglas is the most important person on Wall Street, the narrative follows the footsteps of a young ambitious and naive will have problems of conscience once in insider trading in dark side.

I remembered seeing it that David Fincher (say in my FincherPrice) would release a film about the creation of Facebook by following his (unsympathetic) CEO Mark Zuckerberg. Communication about the film tries to raise the buzz, the press officers are struggling to say that this is the movie event of the season. A negative hero? While lifting up the secondary characters moral level is the story of his ascent. And I do not see it drop to the end because people would see a true story. A biopic of Facebook? But the 500 million users do not care. Dirty tricks the genesis of Facebook are known to those who are interested in the issue, but others are content to play in Farmville as big horse.
Personally I think that the film will not be at the height of the marketing hype starts. If the film is successful the curiosity of the subject would have done the work buzz, there they are trying to reduce people's perception by boosting expectations on matters that do not necessarily correspond to what can interest an audience there. Typically I think this kind of story would work better with a positive hero who became a millionaire rather than a story that emphasizes the enemies he made in passing. Beau
challenge for Fincher? You bet this guy is a fact that clipeur mumuse with his camera, he gives a writer, he makes beautiful pictures above. The bluff works more or less according to the writer but now, since it merely filming his characters as fashion plates, it will be rare.

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One year in a woman's body 30 months

Yesterday it made a year since I had my sex change operation . It was also two years since I had my operation feminization facial . So it's a good time to make a small return on these pivotal moments my new life. I feel good and happy as I've never been. Some days I'm really a woman, while another, I'm pretty androgynous that straddles the two sexes. It is true that a lot of work to be a woman and sometimes tired, I did not have the energy to "put me on my 34". For example, the last two weeks have been busy with my move and my return to cohabitation with the love of my life. As regular readers of this blog know, Bibitte and I (who have been together for 16 years now), we separated it in February Two years ago, coming back together 5 months later. But meanwhile, we had each taken a new apartment. So we walked from one place to another since. But we are now back in a common place and as one might say it's still me man of the couple in recent weeks I dressed more mode "butch", my nails and my hands have suffered the vicissitudes the move, I was sweating drops and I do my makeup more. It was also unsettling to my love that once used to see myself as a woman, I was reviewing with a look much more masculine. Is that it difficult to make holes in the wall, move and make boxes or carry heavy load in high heels!
Still, yesterday, "I was on my 34" and I felt like woman ever and I was really cute. I went to eat with my father who seemed really impressed by my look. He told me "Michelle, you're now a beautiful woman and you know I always had a weakness for tall women." It was all red and excited to tell me that. That made me a special pleasure. Finally, my father validated my femininity!

But if I come on this journey, I say it is littered with extraordinary moments and others, very difficult. For some people I'm a model of achievement and for others, I'm just a despicable character fairgrounds, a freak which is good vomit. It's really strange in the space of 10 minutes to receive the praise and the taunts of strangers. Since last week I was with Bibitte in the gay village. Two people stop us on the street to tell me how much they admire me and a few minutes later, we meet four teenagers when they see me, pretend to vomit. It also fairly representative of what happens in a typical week. M'enfin, I get used to that look the other that goes in all directions. The important thing is that I'm really good with myself, with my new sex and the love of my life which is always beside me.